998 episodes

Interviews with Scholars of Gender about their New Books
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New Books in Gender New Books Network

    • Science
    • 4.4 • 45 Ratings

Interviews with Scholars of Gender about their New Books
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

    Aslı Zengin, "Violent Intimacies: The Trans Everyday and the Making of an Urban World" (Duke UP, 2024)

    Aslı Zengin, "Violent Intimacies: The Trans Everyday and the Making of an Urban World" (Duke UP, 2024)

    In Violent Intimacies: The Trans Everyday and the Making of an Urban World (Duke UP, 2024), Aslı Zengin traces how trans people in Turkey creatively negotiate and resist everyday cisheteronormative violence. Drawing on the history and ethnography of the trans communal life in Istanbul, Zengin develops an understanding of cisheteronormative violence that expands beyond sex, gender and sexuality. She shows how cisheteronormativity forms a connective tissue among neoliberal governmentality, biopolitical and necropolitical regimes, nationalist religiosity and authoritarian management of social difference. As much as trans people are shaped by these processes, they also transform them in intimate ways. Transness in Turkey provides an insightful site for developing new perspectives on statecraft, securitization and surveillance, family and kin-making, urban geography, and political life. Zengin offers the concept of violent intimacies to theorize this entangled world of the trans everyday where violence and intimacy are co-constitutive. Violent intimacies emerge from trans people’s everyday interactions with the police, religious and medical institutions, street life, family and kinship, and trans femicides and funerals. The dynamic of violent intimacies prompts new understandings of violence and intimacy and the world-making struggles of trans people in a Middle Eastern context.
    Aslı Zengin is Assistant Professor of Women’s, Gender, and Sexuality Studies at Rutgers University.
    Alize Arıcan is an Assistant Professor of Anthropology at The City College of New York (CUNY). Her work has been featured in Environment and Planning D, Current Anthropology, and City & Society, among other journals and public-facing platforms. You can find her on Twitter @alizearican.
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    • 59 min
    Polo B. Moji, "Gender and the Spatiality of Blackness in Contemporary AfroFrench Narratives" (Routledge, 2022)

    Polo B. Moji, "Gender and the Spatiality of Blackness in Contemporary AfroFrench Narratives" (Routledge, 2022)

    Polo B. Moji's book Gender and the Spatiality of Blackness in Contemporary AfroFrench Narratives (Routledge, 2022) approaches the study of AfroEurope through narrative forms produced in contemporary France, a location which richly illustrates race in European spaces.
    Moji adopts a transdisciplinary lens that combines critical black and urban geographies, intersectional feminism, and textual analysis to explore the spatial negotiations of black women in France. It assesses literature, film, and music as narrative forms and engages with the sociocultural and political contexts from which they emerge. Through the figure of the black flâneuse and the analytical framework of "walking as method", the book goes beneath spectacular representations of ghettoised banlieues, televised protests, and shipwrecked migrants to analyse the spatiality of blackness in the everyday. It argues that the material-discursive framing of black flânerie, as both relational and embodied movements, renders visible a politics of place embedded in everyday micro-struggles of raced-sexed subjects.
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    • 55 min
    Rebecca Copeland, "Handbook of Modern and Contemporary Japanese Women Writers" (Amsterdam UP, 2023)

    Rebecca Copeland, "Handbook of Modern and Contemporary Japanese Women Writers" (Amsterdam UP, 2023)

    The Handbook of Modern and Contemporary Japanese Women Writers (MHM Limited and Amsterdam University Press, 2022) offers a comprehensive overview of women writers in Japan, from the late 19th century to the early 21st. Featuring 24 newly written contributions from scholars in the field—representing expertise from North America, Europe, Japan, and Australia—the Handbook introduces and analyzes works by modern and contemporary women writers that coalesce loosely around common themes, tropes, and genres. Putting writers from different generations in conversation with one another reveals the diverse ways they have responded to similar subjects. Whereas women writers may have shared concerns—the pressure to conform to gendered expectation, the tension between family responsibility and individual interests, the quest for self-affirmation—each writer invents her own approach. As readers will see, we have writers who turn to memoir and autobiography, while others prefer to imagine fabulous fictional worlds. Some engage with the literary classics—whether Japanese, Chinese, or European—and invest their works with rich intertextual allusions. Other writers grapple with colonialism, militarism, nationalism, and industrialization. This Handbook builds a foundation which invites readers to launch their own investigations into women’s writing in Japan.
    Professor Rebecca Copeland is a professor of Japanese literature at Washington University in St. Louis. Professor Copeland’s research and teaching interests include modern and contemporary women’s writing in Japan, modern literature and material culture, and translation studies. She is the author of The Sound of the Wind: The Life and Works of Uno Chiyo (1992) and Lost Leaves: Women Writers of Meiji Japan (2000), the latter of which was named a Choice Outstanding Academic Title for 2001. She is the editor of Woman Critiqued: Translated Essays on Japanese Women's Writing (2006) and co-editor of The Father-Daughter Plot: Japanese Literary Women and the Law of the Father (2001) and Modern Murasaki: Writing by Women of Meiji Japan (2006), and Diva Nation: Female Icons from Japanese Cultural History (2018). Professor Copeland also translates one of the most well-known Japanese woman writer, Kirino Natsuo’s Grotesque (2007) and Joshinki (The Goddess Chronicles, 2012). The Goddess Chronicles won the 2014-15 Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature. Professor Copeland is also a creative writer and her debut novel, The Kimono Tattoo, was published in 2021.
    Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Her primary research project focuses on female writers’ war experiences and memories of the Asia-Pacific War, entitled Women Writing War Memories. Her second research project explores how queerness is performed in Sinophone queer cultural productions. She has published articles about gender studies and queer studies in literature and culture as well as translations of scholarly and popular works in Chinese and English. She has been making a podcast named Gleaners with her friends for more than ten years and she is also a host of the East Asian Studies channel for the New Books Network.
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    • 44 min
    Sa’ed Atshan, "Queer Palestine and the Empire of Critique" (Stanford UP, 2020)

    Sa’ed Atshan, "Queer Palestine and the Empire of Critique" (Stanford UP, 2020)

    In Queer Palestine and the Empire of Critique (Stanford University Press, 2020) anthropologist and activist Sa’ed Atshan explores the Palestinian LGBTQ movement and offers a window into the diverse community living both in historic Palestine and in diaspora.
    His timely and urgent account contends that the movement has been subjected to an “empire of critique,” which has inhibited its growth and undermines the fight against homophobia in the region and beyond. On the one hand, explains Atshan, queer Palestinians must contend with the harsh realities of patriarchal nationalism, homophobia and heteronormativity, Israeli occupation, dehumanizing discourses such as ‘pinkwashing,’ and the legacies of western imperialism.
    At the same time, Atshan argues that critiques against such issues – leveled by academics, journalists, and even queer activists – have contributed to a stifling ideological purism that has put activists on the defensive and alienates some queer Palestinians.
    Along with a succinct presentation of the immense challenges faced by the LGBTQ-identifying Palestinians, Atshan highlights Palestinian agency, ingenuity, and resilience. He considers how progressive social movements around the world can navigate the often fraught and complex dynamics of intersectional activism, and leaves his readers with a vision of a diverse queer Palestinian movement capable of “radically reimagining possible futures.”
    Sa’ed Atshan is an assistant professor of Peace and Conflict Studies at Swarthmore College.
    Joshua Donovan is a History PhD candidate and Core Preceptor at Columbia University. His dissertation examines competing conceptions of identity and subjectivity within the Antiochian Greek Orthodox Christian community in Syria, Lebanon, and the diaspora.
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    • 55 min
    Lamia Karim, "Castoffs of Capital: Work and Love among Garment Workers in Bangladesh" (U Minnesota Press, 2022)

    Lamia Karim, "Castoffs of Capital: Work and Love among Garment Workers in Bangladesh" (U Minnesota Press, 2022)

    Castoffs of Capital: Work and Love among Garment Workers in Bangladesh (U Minnesota Press, 2022) examines how female garment workers experience their work and personal lives within the stranglehold of global capital. Drawing on fieldwork in Bangladesh, anthropologist Lamia Karim focuses attention onto the lives of older women aged out of factory work, heretofore largely ignored, thereby introducing a new dimension to the understanding of a female-headed workforce that today numbers around four million in Bangladesh.
    Bringing a feminist labor studies lens, Castoffs of Capital foregrounds these women not only as workers but as mothers, wives, sisters, lovers, friends, and political agents. Focusing on relations among work, gender, and global capital's targeting of poor women to advance its market penetration, Karim shows how women navigate these spaces by adopting new subject formations. She locates these women's aspirations for the "good life" not only in material comforts but also in their longings for love and sexual fulfillment that help them momentarily forget the precarity of their existence under the shadow of capital.
    Through richly detailed ethnographic studies, this innovative and beautifully written book examines the making and unmaking of these women's wants and desires, loves and tribulations, hopes and despairs, and triumphs and struggles.
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    • 52 min
    Premilla Nadasen, "Care: The Highest Stage of Capitalism" (Haymarket Books, 2023)

    Premilla Nadasen, "Care: The Highest Stage of Capitalism" (Haymarket Books, 2023)

    During the COVID pandemic, billions of dollars in relief aid was sent out to help us ride out the storm, although many people who struggled through it might scratch their heads at such a number, having seen little of it make any concrete impact in their own lives. This discrepancy is indicative of the underlying problem with the contemporary care economy, a series of federal and state programs, healthcare facilities and NGO’s, all trying to bend the needs of those under their care to the mechanisms and incentives laid out by capitalism. The result is a massive apparatus that regularly fails to fulfill its supposed intentions, leaving workers and those in need of help in precarious and often dangerous situations. 
    This apparatus is untangled and explained in clear detail by Premilla Nadasen in her book Care: The Highest Stage of Capitalism (Haymarket Books, 2023). Informed by both her work as a historian and as a political activist, she manages to untangle and explain why the massive apparatus regularly fails to fulfill its purpose. She also outlines offramps, forms of resistance that workers and activists have taken to develop alternative anticapitalist forms of care that might someday allow us to truly flourish together.
    Premilla Nadasen is a professor of history at Barnard College, Columbia University. She is the co-director of the Barnard Center for Research on Women. She is also the author of Welfare Warriors: The Welfare Rights Movement in the United States and Household Workers Unite: The Untold Story of African American Women Who Built a Movement.
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    • 1 hr 10 min

Customer Reviews

4.4 out of 5
45 Ratings

45 Ratings

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Excellent interviews

High quality interviews, helps to decide if to buy a book or if it’s worth the time to read

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