Voices From the Frontline with Catherine Fairweather Frontline Club

Janine di Giovanni is a master of reinvention; she hung up her war-reporter's spurs and medals to become a senior lecturer on human rights and international law at Yale. Her most recent  astounding venture, The Reckoning Project, promotes accountability and the importance of bearing witness of war crimes committed in the Ukraine. In this latest episode, we catch up with her across an ocean and above the mewling of her needy cat. No one I know has equal grit and glamour - no one wears heels better than her. We discuss the challenges of what it was like being a woman working in a man's world, the inevitable juggling of  motherhood and career and the pressure of getting a scoop in the field.

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Giles Duley is many things , photographer, humanitarian activist and chef, connector and defiant Bon viveur. I knew he had a huge following on his Ted Talks, but wasn't expecting such visceral story-telling.  The real story is so incredible it's almost hard for the imagination to go to that place. Remember  lockdown? And  how hard the curtailed freedoms were for so many of us to swallow?  Now imagine that you are incarcerated in your lumpen body, missing both legs and arm. Imagine you've lost all use of your senses and even the ability to communicate with the nurses and your family gathering around the hospital bed  to let them know you are sentient, kind of alive? . How Duley doesn't lose his mind is the story that had me shaking my head in wonder.  His  battles with depression and addiction , his belief in the power of care and kindness, is nothing less that awe-inspiring. 

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Sir  Don Mccullin, award-winning photojournalist, candidly talks about divided loyalties; family and the frontline. He admits to  the compelling adrenaline buzz and accompanying trauma of war  that can expose the worst of humanity, but also spotlight beauty and kindness in unexpected ways. These are the honest confessions of him as he looks back over a 60 year career covering  war and conflict. He explores beginnings and endings, and the lucky breaks that feed into an unshakeable  sense of survivor’s guilt.

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