Throw Down: An Action Cinema Podcast The Twin Geeks

Picking up mere moments from where The Matrix Reloaded left off, the sweeping conclusion to the Matrix trilogy weaves a now expansive mythology into its towering climax. Unexpected and dizzying in its complex narrative developments and operatic action sequences that fulfill the destiny of Neo, the triumph of love over the oppressive threat of a seething corporate-coded maniac who cannot accept or believe in the agency of others. Join Jack and Vaughn as they cover what was once the final film in one of the most bold, brilliant, and fascinating franchises of all time.

Next week we’ll be back with The Matrix Resurrections to conclude Enter The Maytrix, a whole month (plus a week) dedicated to the cyberpunk cinema of Lilly and Lana Wachowski. Until then, for more words, thoughts, and action adoration, find us all around the internet.
Vaughn on The Twin Geeks, Letterboxd, Twitter, and Bluesky.
Jack on The Twin Geeks, Letterboxd, Twitter, and Bluesky.
Looking for more shows? Check out Jack on The STACKS and Vaughn on I’m Thinking of Spoiling Things.

While in Japan promoting The Matrix, the Wachowskis met many of the legendary animators whose work had influenced their cyberpunk masterpiece, and began a journey to collaborate with them on a series of animated shorts that would expand the universe of The Matrix. The Animatrix, released in 2003 between The Matrix Reloaded and The Matrix Revolutions, is a nine part anthology that weaves a new mythology into the fabric of the series, stories that enrich and deepen the ideas, design, and history of the world. Anime titans like Shinichiro Watanabe, Yoshiaki Kawajiri, Koji Morimoto, and Takeshi Koike create wildly unique and inventive films that take the ambitious ideas of the franchise to new heights. Join Jack and Vaughn as they continue their month of Matrix by tackling each short one by one; the good, the bad, and the ugly.

Next week we’ll be back with The Matrix Revolutions to continue Enter The Maytrix, a whole month dedicated to the cyberpunk cinema of Lilly and Lana Wachowski. Until then, for more words, thoughts, and action adoration, find us all around the internet.
Vaughn on The Twin Geeks, Letterboxd, Twitter, and Bluesky.
Jack on The Twin Geeks, Letterboxd, Twitter, and Bluesky.
Looking for more shows? Check out Jack on The STACKS and Vaughn on I’m Thinking of Spoiling Things.

Following up The Matrix seems like an impossible task. A flawless film blending decades of influence with spellbinding cinematic energy and stunningly inventive filmmaking technique, what more is there to do? For the Wachowskis, the only thing to do is craft a startlingly idiosyncratic two part cinematic epic that completely inverts the binary philosophy of the first film and replaces it with a dense and oblique web of intersecting ideologies, questioning their own film by contextualizing its universe. Divisive by nature but remaining steadfastly novel and complex, The Matrix Reloaded crafts a tactile world worth fighting for - and sports an mesmerizing series of impeccably design grand action. Join Jack and Vaughn as they continue to share their love of the series with a renewed appreciation for the sequels.

Next week we’ll be back with The Animatrix to continue Enter The Maytrix, a whole month dedicated to the cyberpunk cinema of Lilly and Lana Wachowski. Until then, for more words, thoughts, and action adoration, find us all around the internet.
Vaughn on The Twin Geeks, Letterboxd, Twitter, and Bluesky.
Jack on The Twin Geeks, Letterboxd, Twitter, and Bluesky.
Looking for more shows? Check out Jack on The STACKS and Vaughn on I’m Thinking of Spoiling Things.

Opening with studio logos turned into malleable green code, The Matrix immediately signaled its ethos of rebellion against corporate systems. A verdant haze blankets the film, a visual coding of a false reality, a world that must be shattered, an oppressive existence without freedom or agency. A hapless software developer lives one life as a cog in the machine, feeding into structures of systemic control in a bleak office space of rigid walls and separation. The same man lives another life in rejection of those same systems, undermining power with blackhat efforts from a dilapidated, organic room of electronics and screens, a cyberharmony between digital and physical. Lilly and Lana Wachowski's cyberpunk masterpiece is a million things - a rich philosophical text of existentialism and agency, a masterful cyberpunk odyssey of grungy apocalyptic landscapes and digital realities, and a beautiful trans allegory about becoming who you were meant to be. For this show, however, it is first and foremost the coolest action movie ever made. This week, Jack and Vaughn dive deep into their love for The Matrix on the first episode of Enter The Maytrix, our month long series on the punk tetralogy.

Next week we’ll be back with The Matrix Reloaded to continue Enter The Maytrix, a whole month dedicated to the cyberpunk cinema of Lilly and Lana Wachowski. Until then, for more words, thoughts, and action adoration, find us all around the internet.
Vaughn on The Twin Geeks, Letterboxd, Twitter, and Bluesky.
Jack on The Twin Geeks, Letterboxd, Twitter, and Bluesky.
Looking for more shows? Check out Jack on The STACKS and Vaughn on I’m Thinking of Spoiling Things.

Mechanical Harryhausen monstrosities, heroic feats of strength, ancient neon cities, and bears flung into space: the atmosphere of Luigi Cozzi's Hercules is unlike any other interpretation of the mythological journey. Even within the confines of its swords and sandals genre trappings it manages to find ways to be a consistently inventive and fascinating kind of filmmaking - the kind that only a man so well versed in producing Italian genre cinema knockoffs of successful international IPs could commit himself to. It's a different kind of action this week on the show, and Jack and Vaughn dive into the weird, wild world of Lou Ferrigno's Hercules, a velvety phantasmagoria of neon lights and brute strength, an acid-drenched hero's journey that escapes every expectation.

Next week we’ll be back to Enter The Maytrix, a whole month dedicated to the cyberpunk cinema of Lilly and Lana Wachowski. Until then, for more words, thoughts, and action adoration, find us all around the internet.
Vaughn on The Twin Geeks, Letterboxd, Twitter, and Bluesky.
Jack on The Twin Geeks, Letterboxd, Twitter, and Bluesky.
Looking for more shows? Check out Jack on The STACKS and Vaughn on I’m Thinking of Spoiling Things.

Joseph Sargent's 1974 action crime thriller based on Morton Freedgood's original novel released to critical and audience acclaim, a scuzzy '70s B-thriller punched up by David Shire's stunning jazz fusion score, Gerald Greenberg's inventive editing, and the rapid fire back and forth of Walter Matthau and Robert Shaw. 35 years later, vulgar auteur Tony Scott reimagined the film as a slick, modernized thriller with an entirely new and contemporary approach to the film's examination of New York City. Scott's take was critically panned and only a moderate box office success, but today on the show, Jack and Vaughn dive deep into both films, comparing and contrasting their many differences as well as taking a new look at the 2009 remake - does it deserve the reputation it's gotten over the years?

Next week we’ll be back in the neon-soaked, muscle-bound dreamscape of Luigi Cozzi's Hercules (1983). Until then, for more words, thoughts, and action adoration, find us all around the internet.
Vaughn on The Twin Geeks, Letterboxd, Twitter, and Bluesky.
Jack on The Twin Geeks, Letterboxd, Twitter, and Bluesky.
Looking for more shows? Check out Jack on The STACKS and Vaughn on I’m Thinking of Spoiling Things.