Bring Me The Axe! Horror Podcast Bryan and David White

Bryan and Dave kick off their 2024 Pride series by settling in for some QUEER VENGEANCE, Canada style! Siege is a by-the-numbers riff on Assault on Precinct 13 which makes one wonder, did Siege director Paul Donovan also watch Cruising at the same time? The movie pits a desperate struggle to survive the night against the 1981 Halifax police strike and despite it being such an obvious derivative of another movie, taking full advantage of the Canadian film tax shelter era, it's a solid action picture that is alarmingly suspenseful and it wears its ACAB sensibilities squarely on its sleeve. If you're in the mood to watch a bunch of homophobes get arrowed in the neck, shot in the face, and electrocuted by Home Alone-style traps, have we got a movie for you!


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This week Dave and Bryan take their first steps into the 1990's and go deep with a real hard look at The Blair Witch Project. Joining them on this trek through the forest is Ash Kelley and Alaina Urquhart from the Morbid Podcast.

Though, not the first found-footage horror movie, Blair Witch is definitely the one that convinced budding indie horror directors that yes, they too could make a horror movie on very little money. Dave and Bryan struggle to understand the appeal while Ash and Alaina do their best to articulate just what it is about this movie that they love so much.


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This Week, Bryan and Dave put the brakes on to talk about Roger Corman, one of the most important filmmakers in the history of pop cinema and the genres, most notably horror and science fiction. He died at age 98 on May 9, 2024 and left behind a legacy of nearly 500 films which bear his name in one way or another. Bring Me The Axe picks 4 movies of Corman's that are formative horror movie experiences and enduring favorites. Hear all about A Bucket of Blood, House of Usher, The Raven, and Death Race 2000 and the outsized influence Corman had on the larger industry in filmmaking.


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This week Bryan and Dave take a look at John Carl Buechler's swing-and-a-miss for the Charles Band dynasty, Troll. It's supposed to be filled with whimsy, adventure, and high-fantasy but is instead filled with crappy rubber monsters and cringe-inducing performances by actors tenured enough to know better by this point. Noah Hathaway casually throws away any goodwill he earned with his portrayal of Atreyu in The Neverending Story. Michael Moriarty seems to have no idea what he's even doing there. It's all a jumbled mess that somehow managed to be a smash-hit at the box office for Empire Pictures and a video rental gem of the 1980's.


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This week, Dave and Bryan are joined by Jeffrey Nelson, co-creator of the Scream Factory label for Shout Factory, to talk about the utterly unhinged Charles Bronson detective movie, 10 To Midnight. It's the tale of a cop, a father, his bleeding heart liberal, college-educated partner, and a serial killer whose nude and on the loose. Bronson could catch his man if it weren't for all the sleazy lawyers and liberal courts who want to coddle the criminal element instead of punish them. You'll be hard-pressed to find another movie that so brazenly espouses the dominant political theory of the Reagan 80's. It's a real NRA fever dream and an unintentionally hilarious piece of camp from the Cannon Group.


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This week, Bryan and Dave take a trip back to 1986 for the Rutger Hauer/C. Thomas Howell horror movie road trip, The Hitcher, from the murderous, deeply troubled writer, Eric Red. Dave struggles with modern re-evaluations that attempt to claim The Hitcher as some sort of queer horror hidden gem and Bryan has to do a lot of heavy lifting to fill in the movie's massive narrative gaps in order to make it a movie worth watching. Is the movie's imperiled hero Jim Halsey dead this whole time? Is he gay and on the run from the physical manifestation of bisexuality? You're going to have to listen to find out!


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