31 episodes

A behind-the-scenes earful straight from a sound artist's studio to your inbox, designed to inspire curiosity.

ebclarke.substack.com

Who Do You Think I Am‪?‬ Emma Clarke

    • Music

A behind-the-scenes earful straight from a sound artist's studio to your inbox, designed to inspire curiosity.

ebclarke.substack.com

    Warning: this podcast contains disinformation.

    Warning: this podcast contains disinformation.

    In this pop-up podcast episode, I tell you the latest about a piece of music I’m working on. It’s about disinformation. Hot topic? You betcha.
    Grab a cuppa and have a listen.
    Thanks for reading Who Do You Think I Am? Subscribe for free to receive new posts and support my work.




    This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit ebclarke.substack.com

    • 12 min
    New Year doesn't have to happen in January.

    New Year doesn't have to happen in January.

    I hope you had a fantastic Christmas! Here’s to a brilliant 2024.
    I’m kicking off the year with a quick update. Basically, I had a good rest over the festive break, ate a lot of carbohydrates and I’m ready for all the opportunities and challenges the coming year will bring. More on that soon…
    I’m also announcing that I’ve been selected to be part of the #IAlso100 initiative by F:Entrepreneur
    This is a 100-strong group of female business leaders from all over the UK. I’m v much looking forward to the year's events and meeting all the other ladies!
    Anyway, have a listen.
    Enjoy!
    Start writing today. Use the button below to create your Substack and connect your publication with Who Do You Think I Am?



    This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit ebclarke.substack.com

    • 7 min
    "Hiiii Em, can you sound like a big fat jolly cow?"

    "Hiiii Em, can you sound like a big fat jolly cow?"

    In this episode of my pop-up podcast, I pretend to be a cow.
    But not just any cow.
    A cow that can TALK, and convey marketing messages about ice-cream and waffles.
    To be clear, I’m being a cow on the request of a client. I don’t habitually do animal impressions. No, I’m being a cow for professional reasons pertaining to my role as a voiceover.
    Enjoy.
    It is ridiculous.

    Thanks for reading Who Do You Think I Am? Subscribe for free to receive new posts and support my work.


    If you like what I do, you can buy me a coffee!

    Find out more about me and my work here: https://emmaclarke.com/quick-links/



    This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit ebclarke.substack.com

    • 10 min
    Voiceovers aren't stupid.

    Voiceovers aren't stupid.

    Listen to the podcast episode above, read the companion article below.

    When I explain what I do for a living, sometimes people are perplexed. (“What? You talk for a living? Like, seriously?”) I understand why they don’t get it.
    When I started acting, I hadn’t realised that being a voiceover was a thing. I certainly didn’t think I could make a career out of it.
    I didn’t realise it’s something people do all day in recording studios, booths and cupboards up and down the country.
    I mean, it’s an unusual job that probably attracts unusual people. Let’s be honest, you have to be ‘a type’ to handle the double challenge of perpetual solitude and the trial of listening to your own voice all day.
    There are many people who think being a voiceover is a fun job with loads of variety. (It is). And there are some people think that being a voiceover means you’re a bit…how can I put it?…lacking in intellectual rigour.
    “What? You just sit there reading out loud all day?”
    “Yes.”
    “Well, I could do that. Anybody could do that.” And sometimes people follow up with the classic rejoinder: “It’s money for old rope.”
    I’m never sure how to handle this one.
    Should I laugh along to save everyone’s embarrassment?
    To my shame, I’ve certainly done that.
    Should I challenge them and tell them just how much skill is involved in voicing an over-written script and make it fit with a tail-sung jingle within a tenth of a second’s accuracy?
    I’ve never dared risk it for fear of sounding like a proper weirdo.
    At a party – I went to one once! – an academic bloke said, “and you’re happy being a voiceover, are you?” I said I was. “Is that honestly the best you could do with your life? Your parents must be so proud.” And then he walked off to get some crisps.
    Astonishing.
    I think it’s true that professionals make the stuff they do look easy. It’s why they’re professionals, right?
    Watch a guy chuck pizza dough around and it looks like a doddle.
    A hairdresser makes cutting a classic bob look simple.
    Yo-Yo Ma plays his cello to a packed concert hall and it looks effortless.
    Except it’s not.
    It takes years of practice and experience to deliver a skill – any skill – to an iterative professional level.
    Some people think being a voiceover isn’t a proper job. It’s just something you do ‘on the side.’
    After  a recording session an ad agency guy said I could ‘get back to doing the housework.’ As if being a pro voiceover is something a woman might dabble in, while making her husband’s tea, polishing her knick-knacks and doing the laundry, barefoot.
    At one radio imaging conference, I understand one producer said, “whatever you do, don’t ask the voiceover’s opinion. The voiceover knows nothing.”
    A voiceover colleague recounts that a commercial producer told him that voiceovers “are like puppies and goldfish. You’re all the same,” which is objectively bollocks because I sound nothing like my hairy biker bloke VO pal.
    But the suggestion that voiceovers are a homogenous bland blob of mouths is just plain wrong.
    Years ago an ad agency creative opened a radio commercial recording session to tell me we were going to read some radio commercials that would also be recorded and did I understand this? I asked him to tell me what we were here to do once more, just to make sure I’d got it into my silly noggin.
    I don’t mean to sound snippy but not even Chat GPT knows what voiceovers bring to the table.
    I asked: How much money does the voiceover industry contribute to the UK economy?
    It replied: I don’t have access to real-time data or specific financial figures beyond my last knowledge update in September 2021. The contribution of the voiceover industry to the UK economy can vary over time, and specific financial data would require up-to-date research or information from authoritative sources such as government reports or industry associations.
    To find the most current and accur

    • 9 min
    How a voiceover creates Hallowe'en characters.

    How a voiceover creates Hallowe'en characters.

    Award-winning UK voiceover Emma Clarke demonstrates a selection of Hallowe'en themed character voices, perfect for commercials.
    To find out more about Emma and here work, click here: https://emmaclarke.com/quick-links/



    This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit ebclarke.substack.com

    • 3 min
    I asked ChatGPT to be me, on a dating app.

    I asked ChatGPT to be me, on a dating app.

    I asked Chat GPT to do the following.
    Please write me a conversation opener and the kind of thing I would say to show my personality when I match with a man on a dating app, in the style of the British voiceover Emma Clarke, who lives in Manchester.
    Have a listen to find out what happened.


    This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit ebclarke.substack.com

    • 6 min

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