Deathstalker Coda
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4.2 • 5 Ratings
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- $7.99
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- $7.99
Publisher Description
Lewis Deathstalker has succeeded at the impossible: he’s found Owen Deathstalker, presumed dead for the last two hundred years. Owen’s return strikes a crippling blow to the Empire as his military joins the rebellion. But Owen himself has a larger mission. He -- and according to prophecy, he alone -- must travel back in time to stop the steadily advancing Terror before the galaxy is destroyed, leaving his descendant Lewis in command of the growing rebel army.
Even as Emperor Finn Durandal’s empire is on the brink of annihilation from the Terror, he will do anything, no matter how evil, to retain power. Lewis is equally determined to take Finn down and restore the rightful ruler to the throne.
Note from Publisher: This book was originally published as Book 8 in the Deathstalker series.
PUBLISHERS WEEKLY
Bestseller Green's wild conclusion to his Deathstalker saga picks up moments after the cliffhanger ending of Deathstalker Return (2004). Unjustly outlawed Lewis Deathstalker has just brought his ancestor Owen back from the dead to battle the multidimensional, planet-devouring Terror. Meanwhile, Lewis himself tries to assemble and lead a space fleet against the vile minions of usurper Emperor Finn Durandal. In addition, in chapters interrupting Owen's pursuit through time and Lewis's jaunts through space, former Emperor Douglass Campbell must pull himself together to mastermind a rebellion in Finn's capital city. This listing of major plot threads doesn't begin to suggest the full story's feverish complexity. Fortunately, when the stage gets too crowded, the author kills off a few supporting characters, not to mention millions of faceless extras. In some ways, this SF novel resembles mid-grade anime much better on explosions and mortal combat than characterization; however, it does tie up the series' loose ends coherently. Moreover, even if the major characters are legends, larger and stranger than lifesize, Green's ingenuity and sarcastic prose style keep readers from getting grossed out by the bloodshed or bored by tired space opera theatrics. He knows the action is so far over the top that it almost slips into farce, but he usually manages to keep his balance, arms waving frantically, right on the edge.
