Caravaggio: A Life Sacred and Profane (Unabridged) Caravaggio: A Life Sacred and Profane (Unabridged)

Caravaggio: A Life Sacred and Profane (Unabridged‪)‬

    • 4.4 • 8 Ratings
    • $25.99

    • $25.99

Publisher Description

In the tradition of John Richardson's Picasso, a commanding new biography of the Italian master's tumultuous life and mysterious death. For four hundred years Caravaggio's (1571-1610) staggering artistic achievements have thrilled viewers, yet his volatile personal trajectory - the murder of Ranuccio Tomasini, the doubt surrounding Caravaggio's sexuality, the chain of events that began with his imprisonment on Malta and ended with his premature death - has long confounded historians. In a bravura performance, Andrew Graham-Dixon delves into the original Italian sources, presenting fresh details about Caravaggio's sex life, his many crimes and public brawls, and the most convincing account yet published of the painter's tragic death at the age of thirty-eight. With illuminating readings of Caravaggio's infamous religious paintings, which often depict prostitutes and poor people, Graham-Dixon immerses readers in the world of Italy at the height of the Counter-Reformation and creates a masterful profile of the mercurial painter's life and work.

GENRE
History
NARRATOR
EB
Edoardo Ballerini
LANGUAGE
EN
English
LENGTH
18:25
hr min
RELEASED
2013
July 16
PUBLISHER
Audible Studios
PRESENTED BY
Audible.com
SIZE
856.4
MB

Customer Reviews

Previous reviewer is way off! ,

Narrator is actually great

The previous reviewer claims that the narrator has a "twangy" american accent ... which he absolutly in no way does. He uses an extremely clear, almost bordering on British, accent with hyper articulation. In no way is there any kind of western twang to his speech. The book is great and extremely informative on the history of Italy during the time of Caravaggio's life.

SRosenman ,

What a narrator!

Can someone please explain to me why Andrew Graham-Dixon, one of the most erudite and brilliant art historians working today, would have allowed his publisher to use this twangy-voiced American with absolutely no intonation to read this magnificent book?

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