Danish String Quartet present the first of their Prism recordings, demonstrating the influence of J.S. Bach through Beethoven and beyond—his music developed, transformed and scattered into colours as if through a prism. The Quartet begin their voyage with Mozart’s arrangement of a Bach fugue before diving headlong into Shostakovich’s 1974 String Quartet No. 15—a bleak, often dissonant meditation on mortality that draws on Bachian fugue and counterpoint. And in his remarkable 1825 Op. 127 String Quartet, performed here with a beautifully judged sense of narrative, Beethoven holds Bach in the palm of his hand as the music meanders and unfolds towards its radiant final bars.