Smith & Waugh Talk About Satire Talk About Satire

Hot on the heels of their sell-out live show at the York Literature Festival (which only saw a slight drop off on the day in terms of the expected number of visitors), Jo and Adam return to investigate a series of urgent satirical questions. Was Anne Brontë the most satirical Brontë? Did Charlotte Brontë like Jonathan Swift? Are the viral Reborn Doll videos on TikTok sincere or satirical? And where oh where is amateur photographer Katherine (or Kate) Middleton?

Jo and Adam celebrate their 60th episode by each taking a deep dive into a work of satire very deep to them but that they've never discussed at length on the podcast before. For Jo, it's the funniest book of all time, George and Weedon Grossmith's The Diary of a Nobody (1892), which unleashed upon the world the character of Charles Pooter, the godfather of so many sitcom characters, ranging from Homer Simpson to Alan Partridge. And for Adam, it's Jonathan Swift's Gulliver's Travels, one of the most unfairly misrepresented texts in the literary canon thanks to almost immediate bowdlerization as a children's classic. The full novel is horrific, scandalous, fantastical and hilarious. Jo and Adam also discuss Gregg Wallace's recent interview in The Telegraph and the satirical responses it provoked, and ponder the mechanics of the Radio 4 sketch show We Forced A Bot To Write This Show.

For the lucky ones who presented this podcast to Episode 59, they have the chance of winning a life-changing amount of low-key kudos. But if a Traitor remains undetected, they’ll steal all their credibility... So, Adam and Jo, are you Faithful, or are you Traitorish Behaviour? Smith & Waugh return for their first episode of 2024, taking a mediumish dive into the phenomenon of character comedy and considering the satirical potential therein (with reference to Garth Marenghi, Alan Partridge and Brian Butterfield), checking in on the Barbie-Ken-Oscar discourse, before having a big old chat about whether the film Poor Things is satire.

One magical winter's night, a Satireman comes to life and a magical adventure begins... That's right! They'll be satire tonight, and you'll soon be walking in a winter hinterland, because it's time again for the most festive of all festive traditions: the annual Smith and Waugh Talk About Satire Christmas Special! First up, Jo and Adam read the magical picture-book tale of a living Satireman who flies away to meet the real-life Father Christmorris. Then Adam and Jo will take you on a deep dive into the most polarising film of the year, Emerald Fennell's Saltburn. Is it a superficial grab bag of scenes from better texts and films, or a satire about British class dynamics in the 2020s? And exactly how significant (and satirical) are Jack Wills hoodies? Finally, Jo and Adam confront three revenant ghosts of Smith and Waugh Christmases past: Armando Iannucci's Pandemonium, Netflix's The Crown and ITV's I'm A Celebrity Get Me Out Of Here. Merry Christmas, one and all, and to all, a satirical night.

Universities are home to reality warping bureaucracy, towering moral hubris, endemic charlatanism and rampant neoliberalism... according to the campus satire Jo and Adam discuss in this episode. Inspired by the new Nic Cage movie Dream Scenario and the return of Frasier Crane (this time returning as a Harvard professor), Adam and Jo are taking a deep dive into a world of satire that hits very close to home.... Featuring discussion of campus satire by such authors as David Lodge, Lorrie Moore, Anne Fine, Alison Lurie and, of course, Kingsley Amis. Also featuring an update on Adam's new research interest in continental breakfasts.

Jo and Adam dish up a meaty treat for you to get your teeth into this spoOoky season, with a bumper Halloween investigation into satire's long-standing fascination with cannibalism. From Jonathan Swift's A Modest Proposal of 1729 (that the best way to solve the Irish famine would be for absent English landlords to eat the babies of their beleaguered tenants), to Chelsea G Summers' 2020 novel, A Certain Hunger, which features a nymphomaniac cannibal food critic, through to Gregg Wallace's even more recent documentary, Miracle Meat, which proposes solving the cost of living crisis by harvesting cheap meat from human stem cells, cannibal satire is a trope with a rich and tasty history. Adam and Jo also serve up some meditations on the close kinship between horror and comedy more generally, and take a look at the political horror of Channel 4's Partygate docudrama.