29 episodes
Shaffer Creative: Conversations with Creatives Shaffer Creative
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5.0 • 1 Rating
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Conversations with artists, animators, filmmakers, writers and other creatives about their careers, their craft and their creative convictions. This podcast is born out of the conviction that those in one field of arts can learn much from those in a different creative discipline. Our goal is not aspirational, it's grounded in creatives who work in their craft professionally. There are no starving artists here.
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Cinematic Revolution of the French New Wave with Richard Neupert
Bazin. Truffault. Godard. Varda. What do they all have in common? They were part of the French New Wave. What are they doing on this podcast? Plenty. All creatives can learn from the the audacity of their convictions that created a movement that changed cinematic history. The French New Wave was a revolutionary force that should never have happened. When the movement started, it was unwanted, it was resisted, it was criticized, it was in French, it had every reason to fail on the world stage. Yet it changed the cinema, and it’s impact is still being felt today.
My guest in this episode has written one of the most lively, insightful and readable books on the French New Wave, titled A History of the French New Wave. He’s the Wheatly Professor of the Arts at the Univerity of Georgia, teaching film history and theory. His name is Professor Richard Neupert.
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Reflecting on Lessons & Life in Animation with Chris Wieme
Chris Wieme is an incredibly capable and efficient animator, and he has carved out a lifelong career in 2D animation in central and western Canada. In this episode Chris talks about some of the key lessons he's learned as an animator. For anyone embarking on a career in animation Chris' wisdom will take you far.
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Animating from Saskatoon to Kelowna with Chris Wieme
Canadian animator Chris Wieme trained in animation and fashioned an early career in the most unlikely of places: the prairie provinces of Canada. Yet his work is as strong as any who have trained at the more prestigious animation schools or worked at the bigger studios. Chris demonstrates that having a grasp of the basics, with determination and hard work you can develop the skills to compete with the best.
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The Steadfast Animator - Phil Lockerby Part 2
Phil Lockerby has managed to carve out a long and successful career as a character animation outside of Hollywood. And though he has long distinquished himself in animation, he still works hard to grow in his craft, and can find child-like joy in the little things of his work. Phil is also one of the rare animators I know who has made an effort to learn about acting, and I can tell you from working with him, it shows.
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Surviving 20 Years as a 2D Character Animator Phil Lockerby
Animator Phil Lockerby is a highly talented animator who has survived some of the roughest years for 2D character animation. From humble beginnings training at Michael Mills Studio, Phil is among the best animators working today. He was an animator on The Triplets of Belleville, The Little Prince, and directed a number of the animated episodes for Steven Colbert's Colbert Report.
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Recreating History in Painting with John Stobart
I've always admired people who do one thing in life and they do that one thing well. It's even more admirable when they still have that same spark of passion in their twilight years. Maritime painter John Stobart is just such a man.
In this episode John talks about the development of his career from that first painting sale he made as a student at the Royal Academy. John gives us a window into the meticulous research process he goes through in the creation of his historic maritime port scenes. He also talks about his Worldscape video series he produced for PBS.
One of John most admirable achievements is the established The Stobart Foundation, which is a non-profit organization whose purpose is to help support emerging artists who paint from life. You can find more information about the Stobart Foundation, and apply for a grant, at stobartfoundation.org.
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